


As you may recall, last year I hosted author Collins Hemingway on blog tour for his trilogy The Marriage of Miss Jane Austen. That Q&A was for the release of volume 2. Well, he’s back today with volume 3 of this ambitious work, now completed! I’m always fascinated to hear about another author’s journey, especially one who shares my passion for Jane Austen and her writings. So I hope you’ll also enjoy the articulate Collins Hemingway as he sits down with me to share a bit more of his story:
SW: Many contemporary authors have written sequels or variations of Jane Austen’s books, but far fewer have attempted to make Jane Austen herself the heroine of a novel, as you and I have both now done. What inspired you to do so?
CH: Admiration for her intelligence and character, as reflected in her books and letters. I was wowed by what her brother Henry called “the extraordinary endowments of her mind.” I didn’t want to steal from her—at least not very much—but I did want to make use of her qualities in a meaningful way. In parallel, I had begun work on a general story of a woman set in the early 1800s, and I realized that the voice kept morphing into Austen’s. When I dived deeper into the details of her life, I realized I could combine her personal story with the major events of the Regency era in a way that stayed true to both.
SW: What would you say makes your approach in this trilogy unique?
CH: I’ve read four novels with Jane Austen as a character. (I’m sure there are more.) Two kept her as a single woman. One was a compilation of incidents intended to show where the critical scenes in her books originated. Another provided an interesting travelogue of early Australia by taking her there during the “lost years” of her twenties. Yours, Shannon, The Persuasion of Miss Jane Austen, is the only other one I’ve seen in which Jane marries or has a significant relationship.
You used some lovely sleight of hand to give Jane the happily-ever-after ending that she gave to her own characters. I was not so kind. I wanted to test my protagonist by putting her in the middle of the most difficult personal and social issues of the day. I wanted to show the experiences of most women in the early 1800s. I couldn’t think of a more powerful or resilient woman to build the story around.
Many readers think of Austen’s works as romantic romps—and they are fun. But she also wove into the narrative the most serious issues of the day—premarital sex, illegitimate children, and slavery, to cite the main ones. The publishing limitations for “lady writers” in 1800 made it impossible for Austen to write directly about such topics. It wasn’t until I saw how much she did within the shackles of the time (pun intended) that I really began to appreciate Austen as a person and an artist. I wanted to find a way to give her the chance to deal with those issues directly rather than obliquely—by making her the central character while also writing in a similar voice.
By the way, I immersed myself in Austen’s letters and novels, and the biographies and histories, but I did not read any other fiction about Austen until I was well into the second volume and knew where I was going. I was like an actor who did not want to see any other performances for fear they would influence mine.
SW: That has always been my policy too, Collins. Now, since you were writing about such a strong character, I’m curious if Austen ever exerted her will and threatened to take over your story. Readers may be surprised at the idea of a character hijacking a book away from the author’s control, but it happened to me when I was writing “Return to Longbourn,” believe it or not.
CH: I believe it! Both Jane and the main male protagonist at times balked at my stage directions. First, at a critical juncture, I could not get Jane’s husband Ashton Dennis (you’ll recall she once signed a letter “Mrs. Ashton Dennis”) to move ahead as planned. So I went back and reviewed everything, looking for the path that had led to the dead end. I realized that Ashton’s emotional set would be totally different from what I had planned. When I recast the story according to his feelings instead of mine, the words began to flow.
A similar thing happened with Jane. Halfway through the third volume, Jane was not going to follow my script. Somehow, my unconscious knew there was a problem and would not let me move ahead until I understood what Jane wanted to do (something far more radical) and I revised the plot accordingly. What this means, of course, is that characters learn and grow along the way, and the author needs to pay attention.
SW: You’re so right. I know we talked a little about this last time, but I think readers would find it interesting to hear how you have successfully reinvented yourself over the course of your career. Coming from a business background (marketing, computers, aviation, technical writing), you seem an unlikely candidate to end up writing historical fiction based on the life of an English author from 200 years ago.
CH: True. In college, it took a while for me to determine what I wanted. The result was that I ended up with a major in English literature and a minor in science. I worked my way through school as a sportswriter and after graduation became a journeyman reporter and editor. Newspapers were then among the first ordinary businesses to use computers—for writing, editing, and production. I became the computer guru in the newsroom, and that led me to technical writing—a career in high tech and related nonfiction works.
But all during these years I wrote fiction. Most of my work was unpublished—deservedly so—but I continued working hard to learn the craft. I hope that this shows in The Marriage of Miss Jane Austen.
My goal was to write a powerful love story, a sweeping epic, and a deeply personal examination of a woman’s psyche as she’s immersed in the happiness and trials of life. I’ve stayed true to Austen’s life—surprisingly so, considering the novel’s premise. Everything that happens is consistent with what we know, or it parallels events that have poor provenance. History aside, my goal was to capture Austen’s heart and soul. It’s up to readers to decide whether I succeeded or not, but I hope at the very least they will appreciate the respect with which I have treated this extraordinary woman.
SW: I couldn’t agree with you more about that, Collins – heart and respect! Thank you for sharing your thoughts and insights, and I wish you continued success with your trilogy. I know you are willing to answer any questions readers may leave for you in the comment section below. Where can they follow your blog tour?
CH: I am posting the blog tour on my book’s FB page.
Experience the Stunning Finale to the Jane Austen Saga
In the moving conclusion to The Marriage of Miss Jane Austen, Jane and her husband struggle with the serious illness of their son, confront a bitter relationship with the aristocratic family who were once their friends, and face the horrific prospect of war when the British Army falters on the continent. The momentous events of the Napoleonic wars and the agonizing trials of their personal lives take Jane and Ashton to a decision that will decide their fate—and her future—once and for all.
(Find all Collins’s books here)

When I mentioned on Facebook that I was writing the scene where Anne de Bourgh crashes Georgiana Darcy’s 18th birthday ball (for my work-in-progress, The Ladies of Rosings Park), I started to receive comments from enthusiastic friends about what they thought that scene should contain – creative suggestions I wished I could use for the book but couldn’t, since the book has to match the tone of Pride and Prejudice. Then I had this messaging conversation:
Recalling herself from her musings, Anne smoothed her gown, struck an elegant pose, and looked about herself. What she saw was a party in full swing. The dancing had not begun, and yet the well-turned-out throng of people had already commenced carrying on. Their spirits were very high indeed, and it seemed that the largest bowl of punch she had ever seen was at the center of it all. What was in that punch, she wondered?
The birthday girl replied, “Oh, Lizzy, I could not bear all those people looking at me any longer – the women wanting to find a flaw and the men hoping to win my fortune. Greetings, Cousin Anne,” she continued, going to shake her hand. “So nice of you to come. It has been ever so long, and my, how extremely well you look!”
Thus fortified, the three women did just that. Miss Darcy soon discovered she was not as nervous as before, and Miss de Bourgh found the amorous gentlemen much more easily managed since Elizabeth had scolded them. They both danced and danced.
During the supper break, another scuffle was heard in the hall, followed by indignant words. “Unhand me, Henderson! You forget yourself. I am here to collect my daughter, and I will not be prevented!”
Don’t you love the title? Once it came to me, I had to go with it.

It was lovely, and we had some wonderful times along the way. Part of the fun has been sharing our experiences with others. Whereas Jane Austen sent letters, I’ve been sharing things on social media. (I hope you have enjoyed the pictures on FB!)
But what of that sagging middle I was worried about? Is it going to be a tough slog for readers when they get there? No, I don’t think so. I was forgetting that this whole section will be entirely unexplored territory for most, with lots of new action and revelations. What happens to Anne de Bourgh when Darcy marries Elizabeth instead? Is she devastated or relieved? As an heiress, even a sickly one, she must have other suitors. Who are they, and do any of them steal her heart? Does Lady Catherine accept the defeat of her original plan gracefully or keep conniving? What about Anne’s health? Does it ever improve? If so, how? And (what I think is a particularly intriguing question) what really happened to her father, Sir Lewis de Bourgh? He’s absent and presumably dead, but is that all there is to the story?
Some of you may have seen this last month at Austen Variations, but I wanted to reproduce my post here, so I would have it as a permanent part of my own blog. Yes, it’s that important to me!
There was probably a lot more to Jane Austen’s story than is generally known, I decided.
That’s why I no longer have to mourn over an early death for Jane Austen. Instead, I think of her plausible alternative.
“Port Alberni? Where’s that?”
Since I was so warmly invited, since Port Alberni isn’t all that far from Seattle (or so it appears on the map), and since I had the weekend free on my calendar, I decided to go. We could make a mini-vacation of it, I thought. The scenery was sure to be spectacular. I’d have the chance to dress up, talk to people about my books, and soak up the general Jane Austen atmosphere. And with a little luck, my husband might even catch the spirit. Surely he would want to support the record attempt by dressing Regency long enough to be counted. At least I dared to hope so.

Then it was off to the pier for a promenade, which turned out to be a very windy affair. “Hang on to your bonnets!” Next came a Jane Austen inspired lunch (with my first taste of the celebrated “white soup” – quite tasty!), followed by author readings (I did a well-received excerpt from The Persuasion of Miss Jane Austen), and very entertaining mini-play versions of Persuasion and Emma.
Saturday was a very full day, and I slept well that night. A picnic at a local park was the only thing on the schedule for Sunday. Some people went all out for that too, as you can see. Then it was time to do a little sightseeing before saying farewell to Port Alberni and all the friends we made there.
Yes, we had all the above: a great deal of enjoyment, novelty, beauty, and a fresh place that made an agreeable impression on me.
“Miss Bennet,” replied her ladyship, in an angry tone, “you ought to know that I am not to be trifled with. But however insincere
Dear Aunt,
As some of you know, this year is the 200th anniversary of Jane Austen’s much-too-early death, and many of the faithful are noting events leading up to the end as they pass on the calendar. Yesterday (May 24th), for example, marked the day when Jane left her home in Chawton for what would turn out to be the last time, seeking medical help in Winchester, where she later died.
Reading the recent posts about Jane’s move to Winchester (such as
So, I said goodbye to my mother, knowing it would be, in all likelihood, the last time I would see her on this side of heaven, and I allowed myself to be carried off to Winchester. Cassandra travelled with me in my brother James’s carriage, with Henry and my nephew William riding escort alongside.
We drove on to College Street, where we had arranged to rent rooms, but attaining those rooms was no easy task. In my dependent state, I had to nearly be carried up the narrow flight of stairs. I was especially glad for young William’s presence then, for it was an awkward business and I doubt as to Henry’s being able to have managed it on his own. Once more I apologised for my helplessness, and once more I was assured that my friends considered it a privilege to be of service to me.
The best feature of our apartment was the neat little drawing room, which boasted a bow window with a view to the street, the old city wall, and Dr. Gabell’s garden. It was a pleasant room, but as I looked about myself I could not help wondering if I would ever leave that place again. Were those four walls, with the faded paisley paper peeling at the seams, the last sight my eyes would behold before closing forever? If so, the glories of heaven were sure to be the more impressive for the dramatic contrast.
First, let me thank everyone who has already read one or both of my two new releases, Leap of Faith and Leap of Hope, especially those who have gone the extra mile and posted a review. I appreciate your confidence and support more than I can say!
“My sister and I arranged it all between ourselves,” Lady Catherine frequently told her only child, sometimes varying her exact words but never her conclusion. “And the men mean to make no difficulty about it. When the time comes, you shall marry your cousin. It is not only the cherished wish of your mother and aunt, it is a solemn promise and therefore to be considered a settled engagement. The two great estates will thus be united in one family. There could be no connection more highly desirable on either side, no alliance more perfectly natural.”
Today’s the opening day of baseball season! We’ve made it through that 2-month-long drought after Superbowl, where there was nothing to watch on TV, sports-wise, except soccer and basketball, neither of which interest me very much. Now, there will be a Mariners’ game on almost every night to keep me company while I clean up the kitchen, fold the laundry, or putter around on the internet. And just maybe this, at long last, will be Seattle’s year!
For me, baseball is just one of many interests, a pleasant diversion, an undemanding entertainment – not my passion. But for someone aspiring to play the game professionally, it is serious business and, by necessity, an all-consuming passion. Nothing less than single-minded dedication would produce success in one of the most competitive sports on the planet.
Baseball is a beautiful game, one that has been stitched into the fabric of my life since I began playing when I was eight years old. I spent seventeen years on the field and sixteen of them as a catcher behind home plate – a fitting name, for no matter which field, that patch of ground always feels like home to me.
…But, looking back, was it all worth it? – the enormous effort and countless sacrifices made so I could play professional baseball?
victory by the collective sum of their individual efforts.













