Breach of Promise: Setting the Story Straight

 edwardian lovers
I’m blogging today at Austen Authors! The subject: some surprising facts about breach of promise suits. Did you know that, early on, they were just as often brought by men suing women as women suing men? Did you know that neither the plaintiff nor the defendant were allowed to testify? These are some of the weird things I discovered when I researched the subject for my second novel, For Myself Alone. Here’s my post:
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The breach of promise suit is a curious legal action largely confined to the 18th and 19th centuries. I’ve always been intrigued by the phenomenon, and I’m a little surprised that Jane Austen never ventured onto the topic, since it has a clear connection to one her major themes – the financial survivability of the well-bred lady. My thought is that she probably would have gotten around to it, if she’d had time to write a few more books.
 
Most of us think of breach of promise suits as being brought by a jilted woman against her former fiancé. And so they typically were later on, in the Victorian era.  With a shorter “self life” and a more fragile reputation, a long engagement that came to nothing was far more likely to damage the intended bride’s future prospects than the groom’s.
 
But it turns out that’s not the whole story.
 
While researching the subject for my second Austen-inspired novel, For Myself Alone, I discovered that my previous ideas (like most people’s) had been heavily influenced by popular culture…  (Please continue reading here at Austen Authors)
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“My resolution of thanking you for your kindness to Lydia had certainly great effect. Too much, I am afraid; for what becomes of the moral, if our comfort springs from a breach of promise? for I ought not to have mentioned the subject. This will never do.” (Pride and Prejudice, chapter 60)
Posted in Austen Authors, English Regency culture, History, Jane Austen, Jane Austen Quotes, my books, Shannon Winslow | Tagged , , , , , | Leave a comment

You Never Forget How

IMGP0931“Let’s go for a bike ride instead.”

The weather was perfect on Saturday – dry, and neither too warm nor too cool – and I had decided on some outdoor exercise before dinner. Like every proper Jane Austen heroine, I’m very fond of a long walk. I even have a three-mile course through our woodsy neighborhood (partly on trails and partly on country roads) that I use regularly. So I had in mind an invigorating walk, not a bike ride, when my husband made the above statement.

I’ll admit I did not at first respond enthusiastically to his suggestion.

bike crash 2You should know that 1) it’s been easily 5 years since I’ve been on a bike, 2) our neighborhood is full of hills, and 3) I’m not as young as I used to be or as fit as I should be. Although I feel perfectly secure with my feet solidly on the ground, the idea of perching on a painfully narrow seat balanced atop a pair of perilously skinny tires filled my mind with dread. I was envisioning the embarrassment and disaster that would likely follow. 

Naturally, when considering the question before me, I asked myself what would Jane Austen advise. It seemed her heroines were admired for having at least a measure of boldness and athleticism, within the constraints of the day (see related post Care to Take a Turn? ). Even the timid Fanny Price (quoted below) received praise and reward for plucking up the courage to try something out of her comfort zone.

masterpiece_mansfield_t614“Ah, cousin, when I remember how much I used to dread riding, what terrors it gave me to hear it talked of as likely to do me good… and then think of the kind of pains you took to reason and persuade me out of my fears, and convince me that I should like it after a little while, and feel how right you proved to be, I am inclined to hope you may always prophesy as well.” (Mansfield Park, chapter 3)

(And you thought I wouldn’t be able to find an appropriate Jane Austen quote for a post about riding a bike. Ha! Okay, so Fanny was talking about riding a horse. Close enough.)

riding sidesaddleThen I was reminded how many times I refer to riding (horses again) in my own books, especially Return to Longbourn. In it Lizzy says, “There is nothing – or almost nothing – like a thrill of a good ride.” And then there’s this passage where Mary (much like in my situation) is unexpectedly invited/challenged by Mr. Harrison Farnsworth (master of Netherfield, and her employer) to take a ride with him:

” You must admit it is a fine day for riding.”

He was correct, maddeningly so; the weather could not have been more obliging, and it would be an ideal opportunity to consult about the children. She could not even beg off because of her dress, for the gown she wore was as serviceable as any summer riding habit. Besides, Mary told herself, it was a chance to brush up on her skills, so that she might be in better form for another day and for that other, more pleasant riding partner.

“Very well, then,” she said presently. “I will go if you wish it, although I must warn you that I am woefully out of practice.” …Mary could feel her own excitement building for this next adventure. She only hoped she would not be sorry for agreeing to it.mary bennet - lost

What could I do? I refuse to be shown up by Mary Bennet AND Fanny Price, so I likewise said ‘yes’ to the call of adventure. What’s more, I lived to tell the tale.

We rode about 8 miles. And I’m proud to say that I did pretty well, with only one minor mishap.

bugNote to self: In future, ride with mouth closed so as not to swallow any more bugs. :(

Posted in Jane Austen, Jane Austen Quotes, life, my books, Shannon Winslow, Uncategorized | Tagged , , , , , , | 4 Comments

Double Dessert – or – What to Do With a Dozen Eggs

summer-banquet-hop-copyAs my regular readers know, I don’t blog only about Jane Austen and the Regency period. So my contribution to the Summer Banquet Hop is not “period correct.” It’s more current and personal.

Does anybody remember progressive dinners? I’m not sure if people still do them. But it used to be that a group of friends (from church or whatever other group) would get together and, instead of eating a whole dinner at one home, they would all progress course by course from one home to another - appetizers at the first place, maybe soup at the second, then salad, the main course, and finally dessert.

dozen eggsThat’s what this Summer Banquet blog hop is all about, except you can visit in any way you wish, and there’s no guarantee you’ll get your banquet in a logical order. One thing’s for sure, though; I’ve got the dessert course covered, and it all starts with a dozen eggs.

“Mrs. Bates, let me propose your venturing on one of these eggs. An egg boiled very soft is not unwholesome. Serle understands boiling an egg better than any body. I would not recommend an egg boiled by any body else; but you need not be afraid, they are very small, you see – one of our small eggs will not hurt you.” (Mr. Woodhouse, Emma)

One of my all-time favorite desserts is creme brulee, and a few years ago my family established serving it for Easter as our new tradition. It’s not that difficult to make. Here’s my recipe:

Heat 1 pint whipping cream over low heat until bubbles form around the edge of pan. Beat 4 egg yolks and 1/2 cup sugar until thick (about 3 minutes). Beating constantly, pour heated cream in steady stream into egg yolks. Add 1 tablespoon vanilla and pour into 6 custard cups. Place cups in a baking pan. Add about 1″ boiling water around them. Bake at 350 for 45 minutes. Remove from water bath and refrigerate until chilled (at least 2 hours). Sprinkle each custard with granulated sugar. Place under broiler until sugar topping is melted and browned. Refrigerate briefly to set. Serve.IMGP2538

Here are the ones I made this Easter. And, yes, they were delicious! If you triple the recipe like I do, so you have enough to share with your family or friends, you will use a total of 12 egg yolks

But what on earth are you supposed to do with all those leftover egg whites? The elegant – and yummy – solution presented itself when I discovered that making an angel food cake requires exactly that: one dozen egg whites! Together the two desserts make a perfect pair.

angel food cakeHeat oven to 375. Stir together 1 cup cake flour and 1 1/2 cups confectioners’ sugar. Set aside. In large mixer bowl, beat 12 egg whites (1 1/2 cups), 1 1/2 tsp. cream of tartar, and 1/4 tsp. salt until foamy. Add 1 cup granulated sugar, a little at a time, beating on high speed until meringue hold stiff peaks. Gently fold in 1 1/2 tsp. vanilla and 1/2 tsp. almond extract. Sprinkle flour/sugar mixture, 1/4 cup at a time over meringue, folding in gently. Fill batter into ungreased tube pan. Bake 30-35 minutes. Invert pan onto funnel and let hang until cake is completely cool.

Now turn your masterpiece into strawberry shortcake or anything you like.

So there you have it - my favorite trick to turn a dozen eggs into two delightful desserts. I hope you’ll give it at try!

Now, be sure to visit these other blog hop spots to meet some interesting people and discover more tasty treats: 

Hop Participants

  1. Random Bits of Fascination (Maria Grace)
  2. Pillings Writing Corner (David Pilling)
  3. Anna Belfrage
  4. Debra Brown
  5. Lauren Gilbert
  6. Gillian Bagwell
  7. Julie K. Rose
  8. Donna Russo Morin
  9. Regina Jeffers
  10. Shauna Roberts
  11. Tinney S. Heath
  12. Grace Elliot
  13. Diane Scott Lewis
  14. Ginger Myrick
  15. Helen Hollick
  16. Heather Domin
  17. Margaret Skea
  18. Yves Fey
  19. JL Oakley
  20. Shannon Winslow
  21. Evangeline Holland
  22. Cora Lee
  23. Laura Purcell
  24. P. O. Dixon
  25. E.M. Powell
  26. Sharon Lathan
  27. Sally Smith O’Rourke
  28. Allison Bruning
  29. Violet Bedford
  30. Sue Millard
  31. Kim Rendfeld
Posted in blog hop, food | Tagged , , , , , , , | 26 Comments

Choosing a Genteel Profession

Here’s a piece I recently wrote for Austen Authors. But in case you missed it there, here’s another chance!

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jane austenEvery Jane Austen novel reminds us of the severe limitations placed on females of genteel birth in her era. Their only honorable option was to become some gentleman’s wife. Although the men seem to have drawn a far better lot in general, their options were also restricted by social convention. If a young gentleman needed an occupation, he could go into the church, the military, the law, or perhaps banking. Those were the standard choices.

“But,” you say, “I thought the mark of a gentleman was having no profession.”

Well, not exactly.

Unless he was fortunate enough to marry an heiress, a younger son absolutely needed a profession. He had to find a way to earn his living, since he might inherit very little. Think of Colonel Fitzwilliam. He was the younger son of a nobleman, and yet he still felt constrained. In Pride and Prejudice, he tells Lizzy, “Younger sons cannot marry where they like.” I described his predicament this way in The Darcys of Pemberley:

ColFitzwilliamAs the younger son of an Earl, he could not marry where he chose. Since he would not inherit his father’s estate and yet was expected to uphold the style of living his family enjoyed, he was obliged to establish his own fortune by some other means. The colonel showed no inclination for banking or politics, and an inconvenient state of peace had broken out before he could amass any great sum by distinguished service in the army. His best remaining chance for even a modest fortune seemed to be to acquire one by marriage. This was the course of action strongly recommended to him by some of his relations. As the colonel’s father often reminded him, many a rich merchant would be willing to pay handsomely to have his daughter married to the son of an Earl.

The eldest son would, of course, inherit the family estate when his father died, giving him some occupation thereafter. But what was he to do meanwhile? Too much free time got more than one heir presumptive into trouble. Thomas Bertram (Mansfield Park) gambled his father’s money away while waiting to come into his property. And Edward Ferrars, in hindsight, recognized that his foolish involvement with Lucy Steele sprang from his idleness.

Edward Ferrars“It has been, and is, and probably will always be a heavy misfortune to me that I have had no necessary business to engage me, no profession to give me employment or afford me any thing like independence … I always preferred the church, as I still do. But that was not smart enough for my family. They recommended the army. That was a great deal too smart for me. The law was allowed to be genteel enough; many young men who had chambers in the Temple, made a very good appearance in the first circles, and drove about town in very knowing gigs.” (Edward Ferrars, Sense and Sensibility)

Better give that boy something to do! Joining the clergy was acceptable, but not stylish. A military life held more prestige, but also more danger (Napoleon, and all). So, perhaps the law? Fine, but then he must be a swanky London barrister, and not (heaven forbid!) a humble country attorney like Lizzy’s uncle Phillips in Pride and Prejudice, who was considered one of her “low connections.”

Tom LeFroyTo become a lawyer didn’t involve the years of intense study and rigorous exams you might imagine. One had to first acquire a standard degree (from Oxford, Cambridge, or Trinity), which hardly required breaking a sweat, before moving on to “study” at one of London’s Inns of Court (Temple, as mentioned by Edward, for example). There his progress was measured according to how often he dined on the premises (I’m not kidding) rather than by successfully completing courses. What a student actually learned during his “terms” was largely left up to him. If he paid attention in court and read the recommended books, he might come away with some level of competency to go along with his certificate. If not …?

Although I’m no expert, from what I’ve read, the haphazard education of lawyers seems only a symptom of a much larger malaise afflicting the legal system that existed at the time. Defendants had few rights, and juries where notoriously unpredictable – as likely as not to completely disregard logic and judges instructions in order to side with the barrister who put on the most entertaining show in court. Jo Walker (heroine of my second novel: For Myself Alone), after her first encounter with the legal system, says this to her friend, a young gentleman pursuing the law as a profession:

For-Myself-Alone_KINDLE“It seems the law has only a nodding acquaintance with justice and an even more tenuous association with common sense. I find it sadly disillusioning. Are you certain you can be happy pursuing a career as a barrister, Mr. Ramsey?”

“The law is a flawed institution, I grant you. Still, I believe reform is coming, and perhaps I shall be able to do my part. At any rate, it is an honorable profession and genteel enough to suit my mother. Of  course, she does not intend that I should ever make a living at it. I can, though, if I am obliged to, and that gives me hope for the future.”

You see, Mr. Ramsey is in the same boat as Edward Ferrars. He is the eldest son and natural heir, and yet his widowed mother has the power to disinherit him in favor of a younger brother, should he marry out of her will. Thus, the necessity of acquiring a genteel profession.

So, which will it be? The church, the military, or the law? If you were a young gentleman in that time and place, which would you choose? Or would you put all your dependence on marrying well?

Personally, I’m glad we have more options now, especially since most of us don’t have a rich relation or spouse to provide us an independent fortune.

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Much Left to the Imagination – part 2

When I wrote ”part 1,” I didn’t intend a follow-up piece. But now I find that I must retract part of what I said then. 

“I have to thank you, Miss Woodhouse, for a very kind forgiving message in one of Mrs. Weston’s letters. I hope time has not made you less willing to pardon. I hope you do not retract what you then said.” (Emma, chapter 18)

regency woodcut proposal sceneMy original Much Left to the Imagination post was about how Jane Austen tells/shows us very little of the proposal scenes in her novels. For whatever reason, she leaves much (or in some cases, nearly ALL) to our imaginations. It works for her, and I don’t question her genius. But my contention was that a modern writer probably couldn’t get away with this, that readers today expect to be given all the juicy details.

Turns out that I’ve copied Jane Austen’s techniques more than I realized. I refer to the proposal scene I wrote (or didn’t write) for The Darcys of Pemberley.

Georgiana1 at pianoSince it’s a sequel to Pride and Prejudice, Darcy and Elizabeth are already married. But the book also tells the story of the courtship of Miss Georgiana Darcy, so it’s the proposal to her I’m referring to. (As for who’s proposing, I wouldn’t wish to spoil it for anyone who hasn’t yet read it ;) )

It’s a few years since I originally wrote this novel but, in the process of producing the audio version, I have now re-read it twice in the last week! That’s when it struck me how much I also left the reader’s imagination. Here’s a slightly edited version, also censored as to the gentleman’s name:

georgiana at pianoWhilst the contest for her future joy was being waged int he library, Miss Darcy sat at her pianoforte and played on, completely unaware that her whole world was about to change. She noticed when Mr. X entered the room yet she did not stop. She knew he liked to listen to her, and she was more inclined to play for him than talk to him just then. With that thought in mind, Georgiana felt her misfortune at being very nearly to the end of the piece. She soon finished, accepted the gentleman’s praise without a word, and was about to begin again when he prevented her. He took both her hands in his and gently turned her toward himself. To her total astonishment, he then dropped to one knee beside her.

“Dear Georgiana,” he began, “I am now at liberty to tell you that which has long been in my heart. Will you hear me?”

Although too overcome to speak in any case, Georgiana had not the slightest objection to hearing whatever Mr. X might wish to say to her on bended knee. She nodded her acquiescence, and he was sufficiently encouraged to go on. He commenced by describing the major revolution he had experienced in his feelings toward her over the last several months. He concluded with the fervent hope that she could in some measure return his earnest affection and consent to becoming his wife.

To suddenly find herself the object of Mr. X’s love was so wholly unexpected that Georgiana hesitated in her answer, not from indecision but from disbelief… Whilst her heart told her to consent instantly before she awoke from the dream in which she found herself, her mind called for a point of clarification.

“You say you have been in love with me for some time now, sir. If I am to believe you, you must explain something. Why have I never seen any sign of it, any change in your manner, any gesture or word of peculiar regard?…”

“Oh, my dear girl, if you only knew how difficult it has been for me to show so little when I felt so much. But I was honor-bound to speak to your brother before giving you any idea of my true affection… Now tell me, dearest Georgiana do you think in time you could learn to love me? Please say that I have some chance of winning your heart.”

With her one and only reservation very satisfactorily overcome, Georgiana gave the gentleman to understand that her heart in fact already belonged to him and to him alone.

Can you just picture it? I hope so, although not knowing the proposer’s identity may leave a pretty big hole in the image. As to how the modern reader has accepted this very-Jane-Austen treatment of a proposal scene, I can’t say that I’ve had any specific complaints about it. There are some who have commented that they wished I hadn’t wrapped things up so quickly at the end of the book; perhaps that’s what they meant in part.

proposal sceneSince then, I’ve written much more complete proposal scenes in For Myself Alone and Return to Longbourn. But there’s still something about the one above that I especially like. Maybe it’s because it IS so very Jane Austen in leaving something to the imagination!

Posted in Jane Austen, Jane Austen Quotes, Shannon Winslow, Uncategorized, writing | Tagged , , , , , , | 1 Comment

Spring Garden Tour

IMGP2554Spring is my favorite season of the year. After a long, dreary winter - this past one made even darker by the loss of my father at the end of November – there is finally the promise of improvement ahead. The gloom has lifted, and the days are longer and brighter.

IMGP2569I don’t know what your weather has been like so far this spring, but we’ve had some stellar days here in Seattle, with temperatures actually making it into the 80′s a couple of times this past week! I think the contrast with the status quo (cool, gray, wet) makes us appreciate a sunny day in May all the more, which reminds me of a passage I wrote in a yet-to-be-published contemporary novel called First of Second Chances:

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No one could resist an unseasonably warm March day, with everything bursting into bloom at once, least of all sun-starved Seattleites.  It seemed outdoor enthusiasts of all kinds had only been awaiting this engraved invitation to emerge from their winter hibernations. Gail could appreciate the feeling.  She had certainly weathered harsher climates elsewhere, but no place with more sodden, steel-gray days.  It wasn’t so much the total quantity of water that fell from the sky, she decided, but the number of weeks and months it took to reach that total.  That’s what grated away at your spirit.  If the Inuit people had a hundred different words for the snow that constantly surrounded them, then the same should be true for the variations of Pacific Northwest precipitation.  She’d noticed the forecast wasn’t given in black and white – rain, or no rain – but in more shades of gray: “partly cloudy, scattered showers, patchy morning fog,” and, her personal favorite, “drizzle.”  No wonder that a clear blue sky was celebrated like a national holiday, especially in early spring. IMGP2568

Likewise, in Mansfield Park, Fanny Price only learns to truly appreciate the natural glories of spring provided by her adopted home when she is deprived of them by being sent away to Portsmouth.

It was sad to Fanny to lose all the pleasures of spring. She had not known before what pleasures she had to lose in passing March and April in a town. She had not known before how much the beginnings and progress of vegetation had delighted her. What animation, both of body and mind, she had derived from watching the advance of that season which cannot, in spite of its capriciousness, be unlovely, and seeing its increasing beauties from the earliest flowers in the warmest divisions of her aunt’s garden…(chapter 45)IMGP2580

Nothing says spring to me like the early flowers: daffodil, camellia, magnolia, and rhododendron. And, when the threat of frost is gone, even my tropical house plants get to move outdoors. My potted Plumeria tree and Bird of Paradise plants will spend the next few months on my patio, near my goldfish pond.

So, please make yourself at home, and take a virtual stroll though my garden. Hope it brightens your day!

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Much Left to the Imagination

Progress Report: Yay! I’m happy to say that I have officially broken out of my “analysis paralysis (see previous post).” I’ve made momentous decisions this past week about my audio books, the result of which is that I now have two amazing narrators under contract and three of my books in production. So, sometime this summer, you will be able to read Mr. Collins’s Last Supper, The Darcys of Pemberley, and Return to Longbourn in audio format! How cool is that?

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Edward and ElinorSpeaking of audio books, I’m currently rereading Sense and Sensibility in that format, and I’m nearly to the end. I have to admit that I’d forgotten how much Jane Austen left to the imagination in what should be the climactic scene – Edward’s proposal to Elinor. Here’s what she writes about it:

His errand at Barton, in fact, was a simple one. It was only to ask Elinor to marry him… How soon he had walked himself into the proper resolution, however, how soon an opportunity of exercising it occurred, in what manner he expressed himself, and how he was received, need not be particularly told. This only need be said; that when they all sat down to table at four o’clock, about three hours after his arrival, he had secured his lady, engaged her mother’s consent, and was not only in the rapturous profession of the lover, but in the reality of reason and truth, one of the happiest of men. 

So, she tells us exactly nothing, leaving everything to our imaginations! As I said, I’d forgotten this, although I’ve read the book at least half a dozen times. The proposal scene I remember, exists only in my mind (and in the movies). In Northanger Abbey, when Henry Tilney bears his soul to Catherine, it’s the same – strictly narrative generalities. And we aren’t given much more to go on with Darcy’s proposal (the second, successful one) and Elizabeth’s acceptance. He simply says, “My affections and wishes are unchanged.” Then, we are told, Elizabeth…

D&E proposal…forced herself to speak, and immediately, though not very fluently, gave him to understand that her sentiments had undergone so material a change, since the period to which he alluded, as to make her receive with gratitude and pleasure his present assurances.

In Persuasion, Captain Wentworth isn’t even in the room when he makes his profession of love to Anne, since it’s done by letter (although, what a letter!). The most completely portrayed proposal scene in all Austendom come courtesy of Mr. Knightley in Emma.

“My dearest Emma,” said he, “for dearest you will always be… I cannot make speeches… If I loved you less, I might be able to talk about it more…But… you understand my feelings and will return them if you can…”

Even though Mr. Knightley expresses himself pretty completely, Emma  – What did she say? Just what she ought, of course. A lady always does.

Emma proposalI don’t know if Jane Austen truly believed these intimate moments were often better left to the reader’s imagination, that the rest “need not be particularly told.” Or was it that she had so little experience in this area that she felt she could not write it convincingly. She was famous for never attempting any kind of scene of which she could have no personal knowledge. And, although she was proposed to once – by unappealing family friend Harris Bigg Wither – perhaps he botched the job and left her with no suitably inspirational source material!

Somehow we don’t mind these omissions in Jane Austen, but I don’t think a contemporary author could get away with leaving so much only to the imagination. Today’s readers generally expect to be privy to all the details, to be eyewitnesses to the big moment when the hero and heroine finally get together, to revel in every glorious word and expression. We can probably all agree that being invited to the wedding is nice too. The more difficult question is how much to show beyond that, how much of what goes on behind closed doors. On that topic, opinions range far and wide.

But that is a subject for another day.

What’s your opinion? Have you ever wished Jane Austen had given us a little more to go on? Would you be satisfied (or feel cheated) if a modern author showed you no more of the romantic climax than we see in Pride and Prejudice or Sense and Sensibility? How much do you think should be left to the imagination?

PS – Since I originally wrote this, I’ve discovered I copied Jane Austen’s technique more than I realized. For an update, read Much Left to the Imagination – part 2.

Posted in Jane Austen, Jane Austen Quotes, Shannon Winslow, writing | Tagged , , , , | 11 Comments